
This was a reread for me. When I first read
Hannah Coulter a few years ago, it instantly became one of my favorites. I was a little bit worried that if I read it a second time, I wouldn't like it as much. Having finished it, I can say that the writing is nothing short of astonishing.
In Hannah Coulter, Berry continues his ongoing story of a place -- Port William, Kentucky -- and the people who make their lives there. These are the same people who are in Berry's other novels: Jayber Crow the barber; the Coulter Brothers, Burley and Jarrat; the Catletts, the Feltners and the Wheelers. Into this "membership" of Port William (as Burley Coulter calls it) comes Hannah as the young bride of Virgil Feltner. Hannah has only been married to Virgil a short time when the U.S. enters World War 2. Like all the young men at that time, Virgil is drafted and goes to war, and like too many of them, he goes "missing in action, presumed dead."
Now a young widow with a baby daughter, Hannah continues to live with Virgil's parents. Eventually she is courted by Nathan Coulter, one of the lucky ones who returned from the war. The rest of the book tells the story of the life Hannah and Nathan made together on the farm adjacent to her former in-laws.
The story is narrated by Hannah, as an old woman who has lived to see the turn of the 21st century, looking back on her life and the lives of her Port Williams neighbors. It is a simple, quiet story, but the writing absolutely shines.
I dog-eared many passages. Here is a favorite:
I began to know my story then. Like everybody's, it was going to be the story of living in the absence of the dead. What is the thread that holds it all together? Grief, I thought for a while. And grief is there sure enough, just about all the way through. From the time I was a girl I have never been far from it. But grief is not a force and has no power to hold. You only bear it. Love is what carries you, for it is always there, even in the dark, or most in the dark, but shining out at times like gold stitches in a piece of embroidery.
Another:
The chance you had is the life you've got. You can make complaints about what people, including you, make of their lives after they have got them, and about what people make of other people's lives, even about your children being gone, but you mustn't wish for another life. You mustn't want to be somebody else. What you must do is this: "Rejoice evermore. Pray without ceasing. In every thing give thanks." I am not all the way capable of so much, but those are the right instructions.
And another:
My mind, I think, has started to become, it is close to being, the room of love where the absent are present, the dead are alive, time is eternal, and all the creatures prosperous. The room of love is the love that holds us all, and it is not ours. It goes back before we were born. It goes all the way back. It is Heaven's. Or it is Heaven, and we are in it only by willingness. By whose love … do we love this world and ourselves and one another? Do you think we invented it ourselves? I ask with confidence, for I know you know we didn't.
Wendell Berry's writing speaks to my heart and soul.